NEWSLETTER



DOS & DON'TS

Now that Ryanair is making transatlantic flights it’s going to be interesting to see how far the BAs and Virgin Atlantics of this world are gonna go to keep their customers. Comments/Enlarge | See all


Meanwhile, the direct marketers of the world still look like they made their mom drop them off around the corner. Comments/Enlarge | See all






RELATED ARTICLES

LITERARY
Book Reviews - The History Issue
LITTLE ENGLAND IN SRI LANKA
Photos by Martin Parr Words by Susie Par...
DREAM WEAVER
The Ominous Drawings of Min Kim
ON THE ROAD TO ALLAH
Freeway Makes a Pit Stop on the Way to th...



FROM THIS ISSUE

BEATS AND RHYMES
FRITZ LE CHAT'S 5TH ANNUAL RAP AWARDS<...
GAMES
Unreal Tournament 2003 & Shinobi
SHORT HAIRED WIMPS
Wolfmother's A Special Case
MY WAR
CP Thinks That It's My Friend But It's On...



ALSO BY JAN PEOPLES

I WANT MY DVDS
Can, Duran Duran Greatest: the DVD, Pink ...
BORED OF WAR
The Mess That Is the Holy Land
HISTORY IS BULLSHIT
Scene Creamers Write Their Own
ME SO HORNY
Me Want to Throw Up

See all articles by this contributor




HISTORY IS BULLSHIT

Scene Creamers Write Their Own




Ian Svenonius is the only DC punk rock luminary who, in conversation, sounds like a lost Theodor Adorno book that rips apart contemporary culture and makes you laugh at the same time. They both say things like “approximating historical antecedents” instead of “ripping off Lou Reed” and “trope of rock history” instead of “the Beach Boys.” He’s such a for-real revolutionary that those crazy “Marxists” in Rage Against the Machine even asked him to sing for them after Zach de le Rocha left to join the Zapatistas. Of course, Ian had to say no because a) he’s better than that; and b) he had to do his new band, Scene Creamers.

Scene Creamers is best described in “likes but withouts,” ie: like Royal Trux without the drug posturing, like Love without the strings, like MC5 without the White Panther bullshit. What you get with their debut, I Suck On That Emotion, is loose-limbed and super-dirty rock, stuff that’s suitable for both chin stroking and hip shaking. And if you see them live once, you’ll be an immediate convert. Onstage, Svenonius is like a genius primate OD’d on Viagra and Gingko Biloba.

Sean’s opinion:
I like the Rock and Roll music. Scene Creamers is good to dance to. The music sounds like, like an organ. Yeah, I like the way he sings. He has a high voice. Yeah he does. Like a beat music.
When you call him for an interview, you can’t really just say, "So what inspired the new record?" or whatever. You just kind of have to sit back and let him spin his wheels. When we spoke last week, Ian was in a tizzy about the current trend of heartlessly reviving any kind of underground music from pre-1990. "Everybody seems to be presenting groups as formal exercises. There’s the whole synth-band thing, with bands that sound like Jesus Jones, and then there’s the Gang of Four postpunk thing. The underground has become a preservation society where each era of music is fastidiously represented."

The question, then, is how does one stand out in history? How does a band mercenarily get some staying power? Ian seems to have found an easy answer: "People have to understand that history is bullshit. If you want to enter the canon, don’t ape things formalistically. Make some important friends—that’s what Lou Reed and Iggy Pop did, and it served them pretty well. If you get to that level, you can just pay Victor Bockris to write anything you want about yourself."

JAN PEOPLES
I SuckOn That Emotion is out now on Drag City.

See all articles by this contributor

< PREV

COMMENTS


POST A COMMENT [SIGN IN]
Hi, in case you haven't heard, you can now sign up to become a "member" of Viceland.com, which entitles you to all sorts of amazing benefits like pictures and a nickname. Click here to make your own profile. You can still comment if you don't, but you gotta do it all 'nonymously.

Name:
Comment: