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ALSO BY AMY KELLNER
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![]() interview by amy kellner ![]() If you are a young female person in New York in 1994 and you are not wearing X-Girl, you are not cool. Does that hurt your feelings? Sorry, but it’s just a fact, and facts can hurt. So if you are living in a fashionless cave of some sort and you don’t know what I’m talking about, X-Girl is the sister clothing line to the Beastie Boys’ X-Large streetwear brand. It’s designed by Daisy von Furth and Kim Gordon of Sonic Youth. Together they have created the teeniest t-shirts you could ever hope to squeeze yourself into. In just one year, they’ve opened stores in New York and LA and become the official uniform of hip chicks from Ludlow to Lafayette Street. That’s a lot of blocks!
I sat down for a talk with Daisy von Furth at Buffa’s, a diner on Prince and Lafayette that she tells me is a really cool hangout. I believe her. Vice: Tell me how X-Girl came to be. Daisy von Furth: I was working at the X-Large store on Lafayette Street. Kim knew the Beastie Boys and stuff so she put in a good word for me. Eric Bonerz runs the New York store and he was like, “What we’re really missing is a girls’ linewhy don’t you and Kim design a line for girls like the Beastie Boys did for X-Large?” Did you have previous fashion experience? Yeah, I was doing some styling for rock bands, like I helped out Sonic Youth for a lot of their photo shoots, and I styled some music videos. And before that I had interned in the fashion department at Sassy magazine and at Mirabella. I styled a fashion shoot that Spike Jonze shot for Dirt, Sassy’s magazine for boys. The model was this cute kid named Marc Ronson and it was about the lost generation of 1978, people who graduated in 1978. Like alligator shirts and puffy down jackets and Rod Lavers. Like preppy but disheveled. Which music videos did you style? So far I’ve done “Cannonball” by the Breeders, “Big Gay Heart” by the Lemonheads, and “Sugar Kane” by Sonic Youth, although that was mostly Marc Jacobs clothes since it took place at one of his fashion shows, his grunge collection from last year. I heard that when you were at Sassy two years ago, in 1992, everyone thought you had the craziest style. I was really into the 70s then. No one had really done the 70s yet. Me and my boyfriend, Rob, used to do things like pull an all-nighter to drive to this thrift store in Cincinatti called Trivets, and we’d sleep in the parking lot and come back with, like, Stars and Stripes bell-bottoms that smelled like cat piss. But then it became all about boot-cut cords. Finding dead-stock cords in army/navy stores in Williamsburg or Danbury, Connecticut. And that’s kind of what we do for X-Girl. Some of the first pieces that we made are copies of dead-stock stuff, like a football t-shirt or, like, Chloë Sevigny had a Fila sweater and we would just copy it and make the cuts better. How do you know Chloë? She’s everywhere now, it seems. When Sonic Youth was doing the “Sugar Kane” video, they were looking for a girl to star in it, and I asked Andrea Linett, the fashion editor of Sassy, if she knew anyone who’d be good for it, and she said, “Oh you have to use this girl, Chloë.” So I met her then. Did you see the article that gushing Jay McInerney just wrote about her in the New Yorker? He says she’s the new It Girl. Well, she’s been the underground It Girl for a while now. You know, she had a shaved head, and then her hair was pink, and she’s really involved with Liquid Sky, which is, you know, the raver store across the street from X-Large. But in the last six months, she’s blown up more in public. Now she’s going to be starring in a new movie that Larry Clark is doing with this kid Harmony Korine, who is kind of Chloë’s boyfriend. Chloë is your fit model, right? Yeah, she helps us out a lot. We try stuff on her, and she was in our X-Girl guerrilla fashion show and our catalog. We’re making an X-Girl film right now that she’s starring in with this great Hungarian artist named Rita Ackermann and Pumpkin Wentzel from the band Guv’ner. What’s the film about? Our friend Phil Morrison wrote it and is directing it. We’re really into Godard now and the whole UN thing, like things being sort of retro UN, so we gave him that as a starting point and he just took off from there. It’s about bringing things that aren’t really talked about in fashion into street fashion and trying to make it really random. We brought a hidden camera into a Marc Jacobs show to film some scenes for the movie and we’re filming some scenes outside Gitane, a café in Nolita that we all hang out at a lot. See all articles by this contributor READ/POST COMMENTS | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||