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SHHHHH! - PART 3

(The Vice Guide to Sex, Drugs, and Rock 'n' Roll in Iraq)



TEXT BY FAREED ABAS ILLUSTRATION BY CHRISTY KARACAS




hen Iraqis first heard Black Sabbath they went crazy for the music. Heavy metal got very big. In the 80s, American metal bands would occasionally come play in Baghdad, and Iraqi headbangers would ride to concerts on their Harleys, wearing leather and chains and long feathered hair just like metalheads in the US.

But after the war with the US in 1991, all American music was banned, and you could be jailed or killed if you were found listening to it. In 2002, the government started allowing rock cassettes and CDs back into the country for some reason, and there is still a small group of metalheads here. But now it’s getting dangerous again to be caught with anything considered Western.

There is really no Iraqi equivalent of rock or dance music. The concept of a nightclub doesn’t really exist either. Iraqi music is sad most of the time. It’s based on the sad melodies of the oud (which is kind of like a lute) and sometimes incorporates drums that you play using your hands and fingers.

One of the best Iraqi singers and probably the most famous one is Kathum Al-Sahir. He uses a full orchestra and is considered the ambassador of Iraqi song. The most famous Iraqi oud player is Naseer Shamma. He’s very famous in the Arab world too.

Iraqis use mawwal a lot in their songs, which are traditional poems in Iraqi dialect that usually precede songs to serve as an opening and also to demonstrate the abilities of the singer. These parts of the songs are just about the voice conveying feeling and are combined with either low or no music. You can’t really dance to it.


SHHHHH! | 1 | 2 | 3 |

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