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MORE AL JAFFEE THAN YOU NEED
Mad magazine was the equivalent of the Big Bang for American postwar humor. Mad taught people to question authority, to think for themselves, and to laugh at the absurdity and horror of life. The first 23 issues, which were in color and comic-book size, are in many people’s opinions the greatest comics ever made. Al Jaffee is a true artist who’s led an amazing life. He invented the Mad Fold-in in 1964. He also worked with Harvey Kurtzman and Will Elder on Harvey’s post-Mad attempts at humor magazines, as well as the Playboy comic Little Annie Fanny. At 88 he is still painting the Mad Fold-ins and illustrating a book that’s being written about his life. He is a shining example of what it means to be an artist. I’d say something snarky but I can’t. The guy’s just too great. I never expected that I’d someday be welcomed into Al Jaffee’s studio for a lengthy interview about his life and opinions, but I was. And it was one of the greatest honors I’ve known. Vice: Tell me about how you met Harvey Kurtzman and Will Elder. Al Jaffee: I met Willy when we were the same age, around 13 or so. We lived far apart, but when we got accepted to the School of Music and Art our families moved within a few blocks of each other. We became lifelong friends. When we were in junior high school they tried to get us to decide what kind of high school we wanted to go to and nothing appealed to us. The choices were an academic high school, an industrial high school, or an occupational high school. We didn’t like any of those. We had been drawing since we were little kids, and we wanted to do something in art. One day we got pulled out of our classes and sent up to an art room with 50 kids and given paper and pencil and told to draw something. I was sitting right behind Willy and I looked over his shoulder and was amazed. For a 12-year-old kid, that was a piece of fantastic work. I’m familiar with that drawing. It’s reproduced in the book The Mad Playboy of Art. It makes me think that the ability to learn how to draw is something you’re born with. I went to art school and most people left my school not being able to draw as well as Will Elder at age 12. Were you as talented at Will Elder at 12? I don’t think I was as good as Willy, but he could draw his entire family realistically. I was a cartoonist. Once I got into the High School of Music and Art and had to take figure-drawing classes, I caught up, but we were more interested in funny stuff.
We got in trouble because they looked down on cartooning at the High School of Music and Art. I remember when Willy came in one day after seeing Snow White and the Seven Dwarves. He fell in love with the animationwe all did. It was like magic. Will drew the whole set of dwarves and beautifully colored them. He was still only about 14. He rendered them in the same way Little Annie Fanny was rendered. He was showing it to the rest of us and an art teacher came over and looked at it and was furious. “Never ever bring junk like that into an art school!” A little on the stuffy side, I think. Art is art. Willy was a natural-born talent. I do believe talent is something you’re born with. I don’t know if I believe in talent. I think some people are able to learn and some aren’t. My main educational push came from getting yelled at to look harder, slow down, and draw more often. I agree. You can’t crack a whip at someone who doesn’t have basic art talent and expect them to learn to draw. I knew musicians at the School of Music and Art whose mothers had made them play the piano since they were four and they were good enough to get into the school but they had no real chance. A lot of them became very proficient but mechanical. They became dentists and lawyers and enjoyed music as a hobby. Not everyone can be great. I might be prejudiced since I’ve been lucky. What were you reading then? I had a checkered career as far as growing up is concerned. When I was six years old I was taken to a very small village in Lithuania. There was no reading matter. My father, who remained in the US, would save up all the Sunday and daily comic strips and every six months or so he’d mail us a roll of all the comics, six inches in diameter. My brother Harry, who was a very good artist, would sit for months and read them over and over again. We learned how to read on our own by doing that. My friend’s father grew up shoeless in Puerto Rico and learned English from reading comics. This is why I was furious with Dr. Fredric Wertham, who condemned comics. And many educators followed him. The best way to teach kids how to read is to let them read what they enjoy. Lots of kids from very poor neighborhoods learned from comics because they resisted the normal schoolbooks. See all articles by this contributor
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