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DOS & DON'TS
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GARY PANTER’S TOP TEN COMICSGary Panter is a famous artist who designed Pee-wee’s Playhouse, drew three Frank Zappa album covers, designed the Screamers’ logo, recorded music with members of the Residents, and has made many great comics about his punk everyman, Jimbo. Recently there was a fancy two-volume retrospective published about him, and he just put out a new CD with Devon Flynn. Gary’s an amazing man who spurts creativity like an open artery. He’s been kind enough to rattle off his absolute favorite comics in a sweet little list.
R. Crumb, S. Clay Wilson, Rick Griffin, Victor Moscoso, Gilbert Shelton Apex Novelties Crumb, Wilson, Williams, Griffin, Moscoso, Sheltonthe most talented hippie drawers in the same place, at the same time, often drawing on the same pieces of paper, and trying to outdo each other in experimental graphic approaches and moral compromise. The Griffin cover is a masterpiece visually; and technically, one of the most astounding handmade color separations of the 20th century. Like if the Fugs could draw real fucking good.
No artist credited Gold Key This was a spin-off comic from Russ Manning’s Magnus, Robot Fighter comic and featured aliens that didn’t look human-derived and stories that actually contained speculation about interspecies diplomacy. Manning, who seems to have written and drawn the comics, was kind of stiff and kind of great.
No artist credited Norlen Magazines Inc. Maybe because my father ran dime stores in the 50s, I am haunted by third-rate funny-animal comics and their anonymous characters executed in virtuoso thin brushwork, often by the Fago brothers; also noticed by Eduardo Paolozzi and Robert Crumb. The unevenness of the stories, usually on the terrible side, is redeemed by slipshod and very simple coloring jobs misprinted on coarse yellow newsprint.
No artist credited Dell How can I say that this is what a comic book looks like to me? “Dell comics are good comics”it said so in bold blue lettering at the bottom of the first page. In a striking scene in the Italian pop-future film The 10th Victim, Marcello Mastroianni is reading his priceless comic collectionPorky, Daffy, and Sylvesterwhile his baby-headed robot pet crawls nearby.
Victor Moscoso Self-published Victor Moscosoa silent, full-color, cosmic hippie trip in maximum psychedelic metamorphic splendor. He might still sell it on his website. Metallic space birds fuck their way across a Betty Boop mirror-world continuum. See all articles by this contributor
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